There was a flurry of concern a few years ago about agents elbowing in onto publishers’ turf, and getting their clients books printed without the benefit of a publisher. We all seem to have gotten spine-stiffening injections since then, and now one doesn’t find the same panic among publishers. We have always had societies and clubs publishing, and we have become accustomed to bookshops and libraries doing their own printing and publishing. We are now much more relaxed about the fact that anyone at all can publish a book, so why should literary agents be left out.
Amanda Luedeke at MacGregor Literary Agency (link via The Passive Voice) says it is now “ridiculously easy for any schmuck to pound out a terrible novel and send it to the best editors” who don’t have the time to read them all. Saying “send your terrible novel to me, you schmuck” hardly seems like a winning marketing slogan, but alienating a few awful authors might not be too damaging I guess.
Agents have long provided an invaluable service to the publishing industry by prescreening manuscripts. It was always a natural step from there to providing editorial services, ranging from rewrite to copy editing and design. And now that typesetting has become virtually (or potentially) a side effect of copy editing, producing press-ready files is clearly a logical progression. So what’s so sensitive about the next step, getting the books printed? If we want to allow an agent to do this task for us, why not? From a publisher’s point of view the beauty of having agents do stuff is that they tend to be paid by authors.
As Ms Luedeke points out the role of agents in publishing is not as an alternative to the Big Five, it’s as a sort of service to authors. Many of these are going to be self published, and can use all the help they can get. However one wonders why a self-published author would need the services of an agent to negotiate a contract with their self-publisher self. Just shows the twists and turns going on in the business.